Raw is Not Magic — Prolost / by Sohail Mamdani

This sense of raw images being a true digital negative — deep, rich, forgiving of exposure errors, and massively tunable to your ultimate taste, leads some to feel that raw is always a better choice than the other common way of capturing a high-dynamic range cinema image: log.

Really interesting piece from Stu Maschwitz.

Source: http://prolost.com/blog/rawvslog